Ruined factories, silent machines, and ghostly workers create a striking landscape. Master puppeteer Ézéquiel Garcia-Romeu transforms the remnants of industrial society into a haunting visual and political journey.
The audience moves through a miniature world made of iron, dust, and collapsed buildings. Amid rusted shipping containers, solitary pylons, and walls blackened by soot, small rag-clad figures wander through the rubble, like the last witnesses to a vanished world. With this third installment of *Le Petit Théâtre du Bout du Monde*, Ézéquiel Garcia-Romeu continues his grand allegorical epic on the upheavals of our time, having previously explored the climate apocalypse and then concerns surrounding artificial intelligence.